November Notes
Southern Colorado's theatre newsletter
Published in cooperation with
the Pueblo Performing Arts Guild
at www.pueblopag.org
Oct. 2006
Our motto: Have fun, or have fun trying, because you're paying the 19% interest anyway, right?
Dear Fellow Dramatic Types,
Much theatre info this month and little non-theatre time, so let's get to it. Read and enjoy.
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Remember Eli Cranson? Remember him as a funny guy, cool improve comedy actor and karaoke singer-with-no-fear-at-all who now works a job that won't let him come play theatre with us at night?
Well, you must now work "high school drama coach" into your descriptions of the previously-indescribable Dr. Eli. He is currently helping the kids at East High School in Pueblo do a show, having gotten the word from a friend and feeling at he could be of some service.
He says the show will be HERE COMES THE BRIDE and it will go up Nov. 9 and 10 at the school. He has little else to add yet, having just started, except.
"I like to eat shredded cheese with my bare hands... it makes me giggle..."
How true.
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And now, our Upcoming Stuff section...
SHOWS:
- A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, by the Impossible Players, Oct. 6-7 and 11-14 at the Impossible Playhouse at 1201 N. Main in Pueblo.
- SOUTH PACIFIC, by The Damon Runyon Repertory Theatre Company, at the Runyon Theater Oct. 13-15 and 20-22 at 6th and Main streets in Pueblo.
- THE OUTSIDERS, by the Steel City Theatre Company, Oct. 20-21, 26-28 and Nov. 2-4 in Hoag Theater at Pueblo Community College.
- I LOVE YOU, YOU'RE PERFECT, NOW CHANGE, by the Rep at the Fine Arts Center in Colorado Springs, Sept. 28 through the month of October.
AUDITIONS:
- Auditions Oct. 3 and 10 for Righteous Reign theatre group's Christmas pageant. Contact Amanda D. Swearingen at divamanager@hotmail.com.
- Auditions Oct. 2-3 at for Steel City group's production of NUNSENSE. Contact Joey Gonzales at joey_sctc@yahoo.com.
- Sept. 29, 30 and Oct. 1 for Fremont Civic Theater's LIFE IS SHORT, at 3 p.m. in the basement of Fremont Center for the Arts (515 Macon
Street, Canon City).
- Auditions Nov. 14 for Damon Runyon Rep. group at 6:00 p.m. in the Runyon Theater. Roles available in DYSKOLOS, MONSTER BASH, THE CLOCK STRIKES DEAD, and WIZARD OF OZ. "WIZARD auditions are for age 16 and older. Children will be auditioned at a later time."
OTHER:
- Impossible Players 40th annual banquet for members and the public,Nov. 4 at 7 p.m. at Rosario's in Pueblo. Features real and real silly awards. Contact Rick Mattoon at rickmattoon@lycos.com.
- Deadline for submitting short films and videos is Oct. 16 for the CHECK OUT MY SHORTS film festival, to be held Nov. 11 at the Life Sciences Auditorium at Colorado State University at Pueblo.
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And for a more extensive explanation of I LOVE YOU, YOU'RE PERFECT.,we turn to Director Cory Moosman of Pueblo.
"Hello all! Okay, now I officially plug my next big project- I LOVE YOU, YOU'RE PERFECT, NOW CHANGE. It's a great musical that...well, I'll let you read the description below. This is my first directing gig in Colorado Springs at the Colorado Springs Fine Arts Center, and I'm very proud of what we've created. So please, everyone get out, get up, and see this show! It's a great evening of musical theatre, and I know you'll laugh yourself...um...well you get the idea. For ticket information, go to http://www.csfineartscenter.org/theatre.asp.
You can get all the info you need, as well as purchase tickets!
Anyway, here's the official blurb from the Fine Arts Center:
'I Love You, You're Perfect, Now Change, September 29 - October 22, 2006 (Fri-Sat evenings, Sun matinees). The REP tackles the diverse moods and modes of romance, marriage, fidelity and infidelity in this widely acclaimed revue that has had audiences laughing and proposing in the aisles. This show, the longest running Off-Broadway revue in history, has garnered a host of awards including the 1997 William Inge Festival
Award for New Voices in American Theatre. Fresh and witty, this celebration of the mating game takes on the truths and myths behind that contemporary conundrum known as "the relationship."'
Hope to see you all there! - Cory Moosman"
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The Damon Runyon group held its annual Annies Awards ceremony Sept. 23, and we are pleased to pass on the results. Scott Whited and Paulette Stuart both served as some of the several presenters, giving us awards for.
Direction - Rebecca J. Work (The Complete History of America (abridged))
Leading Actor - Brent Ritter (Most Happy Fella)
Leading Actress - Judith Cook (History of America.)
Supporting Actor - James Padilla (Arsenic and Old Lace)
Supporting Actress - Mary Alice Cowen (Arsenic and Old Lace)
Character Actor - Jack Gornick, Jr. (Arsenic and Old Lace)
Character Actress - Brianne Robles (Arsenic and Old Lace)
Best Male Vocalist - Jay Shannon
Best Female Vocalist - Jennifer Ritter AND Rebecca J. Work
Set - A Year with Frog and Toad - Justin Briggs
Light Design - Jesus Christ Superstar - Sean P. Briggs
Best Non-Musical - The Complete History of America (abridged)
Best Musical - Annie
Best Boy - Jared Padilla
Best Girl - Lindsay Moran
Pride Award for Excellence - Bette and Jim Lunn
Most Valuable Person - Bill "Bro" Setser
Life Time Achievement Award - Carol Cartmell, costume designer
Congratulations everyone.
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James Winget has announced dates for auditions and a $20 sword-fight workshop for TREASURE ISLAND.
He writes:
"Auditions for Treasure Island will take place Nov. 12 and 13 at 7pm each night. The auditions will be held at the Impossible Playhouse.
Full rehearsals will begin early March, 2007 and the show opens April 27, 2007
We are thinking outside of the box with Treasure Island. Most shows don't hold auditions until just before rehearsals begin, normally a couple of months before opening.
Treasure Island has many roles with special needs. Long John Silver must tie up a leg and still move smooth, we want to give the actor time
to build into this. Jim Hawkins is a big role with a lot of lines and action. The actor who plays this role will be young and likely in school. We want to give him the time to make this work with the typically busy life of a teenager. Other roles require swinging live steel around the stage. A little time spent learning how to do it means no real blood will appear in tonight's performance.
We will be reading for all roles, not just the special needs parts. We want to fully cast the show at this time. We have speaking roles for 12+ males and one female
Auditions are open to the community and all are welcome. Anyone interested in being part of the crew, stage crew that is, come on down and let us know. There are many positions open and we would love to see the techie types have their day. You know you've always wanted to be a
pirate. Live the dream.
Anyone with questions can contact James N. Winget at threeboar@aol.com. Use the subject line, "Treasure Info".
Next on the list of events comes the Treasure Island Stage Combat, basic swords, workshop and fundraiser.
The workshop will take place at the Impossible Playhouse on November 25, 2006, beginning at 9am and ending at 1pm. The workshop is chance to learn a new acting skill and to help bring Treasure Island to life. We are asking each participate for a $20 tax deductible donation to cover the costs of the workshop and help fund a great show.
The workshop will be taught by James N. Winget, Dale Shepherd and Craig Smith. These three have over 50 years of combined experience
working with swords, armor and live theatre. Learn how to safely use live steel on a stage.
The workshop is open to any interested performers. You do not need to audition for or even consider being in Treasure Island. Because space is tight we must limit the workshop to 10 participates.
We will fill the workshop on a first come first served basis. Reservations can be made by calling 542-4082. If there is enough interest we are will do a second workshop.
There are more special events in the planning stage, do you like rum? Pirates do. Keep a weather out for more Treasure Island information and be part of the fun.
Treasure Island, Action Adventure Pirates and Parrots"
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And Tanya Gatlin tells us from out Canon City way.
"Fremont Civic Theatre is holding auditions for LIFE IS SHORT by Craig Pospisil. The show consists of eight one act comedies directed by
Kathy Herrin. Auditions will be held September 29 at 7:00 pm, September 30 and October 1 at 3:00 pm. All auditions will be in the basement of Fremont Center for the Arts (515 Macon Street, Canon City).
The show will run two weekends. Opening weekend for the show are set for October 27and 28 at 7:00 pm and October 29 at 3:00 pm. The final weekend will be November 3 and 4 at 7:00 pm and November 5 at 3:00 pm. For more information, please call FCT at 275-8989 or visit their website at www.fremontcivictheatre.org."
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No, there's more! The Star Bar Players in Colorado Springs have a show going up soon, NIGHT AND HER STARS, at the Lon Chaney Theatre in downtown.
The show runs Oct. 13-14, 20- 22, 27-28 and Nov. 3, 5, 10-12.
Directed by Mark Hennessy, it is said by the Players to be "A scathing, ruthless exploration of avarice and the alarming fragility of human character in the face of temptation, the slimy underbelly of mass media and the soul-eroding nature of fame, profit and power. This beautifully written, piercing work is based on the real and shattering events surrounding the Congressional investigation of the explosive Quiz Show scandals of the 1950's.
Call 573-7411for more information or tickets.
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And we must report that Pueblo pro Kennedy Pugh is back on his feet and has left to start work on HOT MIKATO back east. He held a
birthday/hello/goodbye party Sept. 22 and looked well after exhaustion and a subsequent blood infection forced him to drop out at the last
minute from what ended up being a poorly-reviewed production of JESUS CHRIST SUPERSTAR at the Carousel Dinner Theatre in Fort Collins.
But he recovered in time to get a role in the MIKATO production, which he might not have been able to participate in if he'd remained healthy in
SUPERSTAR, which closes tomorrow, Sept. 30, so there ya go. The MIKATO show runs till mid-November, he says. Strangely, he did not offer to fly any of us out to see it.
Best wishes, and let us know how it goes...
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Tom Massmann has started a new video production company, having left his previous company. He sends us all this.
"Award-winning local Producer / Director, Tom Massmann has left the helm of Reel Focus Productions to form Take 2 Entertainment, LLC. When asked why Massmann left the company that he co-founded three years ago, he stated that while he is proud to see his former company develop and have successes, and that "further creative growth opportunities and a chance to explore new production avenues that didn't necessarily come to fruition (with his former company), now exist with this move".
"While Take 2 Entertainment will spotlight its attention on creating original and innovative industrial videos and affordable, yet high quality radio and television commercials, it also plans to focus on the development of locally produced television shows and full length feature films. "This is the direction that Take 2 Entertainment, LLC plans on taking", says Massmann, "The talent in this town is as good as any I've seen anywhere. For years now, I've wanted to produce feature films and television projects here in Pueblo, using local talent and experienced local crew. Take 2 Entertainment, LLC and Pueblo's outstanding talent and production crews will be the catalysts for these projects to occur".
"Massmann has been in the film and video production business for over 25 years and has a well-rounded repertoire of production experience
ranging from film and television actor, writer, talent agent, and award-winning producer and director. He has memberships with the National Association of Television Production Executives, the Writer's Guild of America (West), and is a recognized producer with the Discovery Channel and PBS."
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And now, you may remember that we asked a while ago how YOU, our loyal and occasionally feisty reader, memorize your lines for a show. ..
"What's your favorite and/or best way to memorize lines for a show? We've heard of people using both electronic and just-paper-and-time methods, including...
(a) reading the script silently before bed, allowing it to silently infiltrate your mind,
(b) taping the cast read-through and then listening to that a whole bunch of times while you're driving sullenly to work,
(c) just taping the cue lines and leaving a blank space on the tape (or CD) for your line, and then rehearsing with the tape,
OR , (our years-long favorite)
(d) giving a friend or unlucky relative the script and just guessing at the lines again and again until (1) we learn them or (2) the friend or relative loses patience and tells us they have pressing business in Grand Junction."
Well, we got some local replies and want to share them.
JENN "Will Sing For Gas Money!" RITTER - "Hey James - Great question! My personal method is to tape both my cue lines AND my lines (in character, of course) and then listen to the tape ad nauseum in my car, 'cause that's where I spend almost all of my waking hours (and even a few of my sleeping ones!). This method will usually have me completely off-book in a matter of days."
KATHY "Kaydee On Stage!" JOHNSON - "I record the read-through or a very early rehearsal. Then I listen almost constantly from my Discman or my car player. I even bought a new digital recorder so I can edit and then burn to a CD......when I can, I read the script along with the recording to give my brain 2 kinds of input..."
LETA "Tickle Me!" LANGDON - "OK..... What I do is... Almost a combination of the above.... I usually look over the script before bed and sleep with it under my pillow after I learn most of the lines, that way I am easily able to wake up in the middle of the night and make sure I'm saying the lines right in my sleep. (yah, I'm a freak like that). I also have someone in the Familia run lines with me in the car, on the couch, on the porch, in the kitchen, while their sleeping.... (they get really annoyed with that one). But I go over certain sections at a time, and if I mess up, then I start that section over until it is alllllllllll perfect! I have in the past written my big monologues out over and over and over (not typing mind you)... But we all know I hate monologues like... I hate calories. And in certain plays I have used OTHERS recordings and listened to them in the car ... I am way too lazy to actually record the show myself.
There ya go."
AMANDA D. "For Drama!" SWEARINGEN - "umm yes all of the above.i also use a ball. i bounce the ball on the wall while saying my lines--not only does this get my lines memorized, but it helps with movement of the lines--such as i throw the ball harder when im angry--or slower when im
sad--etc. recording them is a great way, cause then u can listen while u do other stuff--the whole osmosis thing. trust me it works great.
taylor says reverse osmosis--he keeps the script as far away as he can until his mind taps into it--im not sure exactly how that works--talk to
him!!!!"
CATHY "Zookeeper? OK, Maybe I Am." SPANGLER - "I've tried all of them and after a while something works."
JOEY "Just J., For Efficiency!" GONZALES - Like most performers, I don't have any specific "technique" kind of a mixture of all. I'm really not into the whole "A" thing (just makes me sleepy, but good on a restless night). "B"ing it never works for me with dialog but highly effective with musical lyrics. Trying the "C" works well for me when I'm not multi-tasking (which is unusual). And I find that if "D" it with fam and friends, they end up learning the show better than I do and it gets way too distracting watching them mouth the dialog through the whole freaking show. I really like lighting a candle and meditating with the script in my lap until the information absorbs into my higher chakras. NEVER FAILS!"
RICK "I'll Raise You $47!" MATTOON - "I use a combination of methods 1 and 4. What I'm not good about is learning the cue lines, so frequently
during rehearsal I can be heard spouting out my next line any time there is a gap in the dialog, because I assume the lack of sound means I
should be giving my next line. During times I'm off stage I can be seen in the parking lot behind the theater wandering aimlessly reciting my
lines over and over because I memorize them better if I do it with the same volume and inflection I use on stage."
Us too, sir, us too. The neighbors can hardly wait for tech week.or closing.
Thanks to those that replied. Next month, or whenever we get to it, the best ways to publicize your show?...
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That's it again for this month. Send your own news, thoughts and photographic proof of scandalous indiscretions, yours or someone else's,
because we're a skeptical lot, to jamos@comcast.net.
Till next month - James Amos


